121st Open Exhibition (Non Members Only)
306 artworks
The Quay by jo fox
The Quay by jo fox
301 / 306
By jo fox
paper/ink/watercolour.
h: 55 w: 36 d: 1 (cms).
Combining collective fragments of textured paper which are painted enhanced and layered.
£1900
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Green and Red by montse asensio
Green and Red by montse asensio
302 / 306
By montse asensio
Oil Pastels
h: 20 w: 20 d: 1 (cms).
£640
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InTransient Selfie by xander parry
InTransient Selfie by xander parry
303 / 306
By xander parry
Stained Glass
h: 33 w: 20 d: 10 (cms).
Part of a series of small arched stained glass pieces, based around the reclamation of the traditional imagery of Catholicism/religion vs. the historical erasure of queer identity and representation. The pieces themselves are based on the mirror selfies that you'd send to a potential hookup on Grindr/your app of choice - I want to immortalise the pictures that would usually be discarded once they've served their intended purpose, using the artistic language of saintly veneration to reframe the throwaway slutty selfies we take for validation into work glorifying queer bodies in a context within which they are rarely seen.
£800
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Woods at Cannock Ponds by kathryn chapman
Woods at Cannock Ponds by kathryn chapman
304 / 306
By kathryn chapman
Charcoal
h: 27 w: 17 d: 7 (cms).
£250.00
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Path to Polridmouth Cove by kathryn chapman
Path to Polridmouth Cove by kathryn chapman
305 / 306
By kathryn chapman
Watercolour
h: 27 w: 15 d: 7 (cms).
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Curtain Call by dylan andrews
Curtain Call by dylan andrews
306 / 306
By dylan andrews
Charcoal and pencil
h: 60 w: 42 d: 1 (cms).
Curtain Call is a surreal charcoal drawing that combines the human form with a potted plant. The work is intentionally left open to interpretation, inviting viewers to decide whether the arm is emerging from the plant or disappearing into it. The grainy charcoal texture evokes analogue photography, while the curtain backdrop creates a sense of performance and staged memory.
£1200
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