Bath Society of Artists : 120th Open Exhibition (Non Members Only)

Woolacombe Bay

By Liz Freedman BA(Hons)

Collagraph

h: 8 w: 15 d: 1 (cms).

An original collagraph print of Woolacombe Bay in Devon, printed on Somerset paper in Cranfield intaglio inks.

£225

£180 (Unframed)

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Woolacombe Bay

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Washed Up

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Somewhere in a field 2....

By kate edmunds

Acrylic, inks, pastels on paper

h: 35 w: 90 d: 1 (cms).

I wanted to capture the joyfull vastness of Glastonbury festival en plein air using simple brush strokes, shapes and unpredictable wind blasts!

£1450

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Somewhere in a field 2....

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GATHERING STORM

By sri nambiar

CHARCOAL

h: 9 w: 24 d: 1 (cms).

This charcoal piece explores the quiet tension between stillness, chaos and looming change. A field stretches across the composition; above it, dense dark clouds gather across the upper half of the horizon, suggesting a shift in mood and atmosphere. The work explores tension between internal chaos and external stillness , almost reflecting human emotions through grief and chaos. The tiny landscape was done on Arches printmaking paper with charcoal powder . The charcoal powder was applied with a brush and a putty rubber was used to 'sculpt' the piece and create light. The work is entirely intuitive and is not based on any place.

£425

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GATHERING STORM

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'Muglet of Dreams'

By serenity hubick BA(Hons)

Ceramics

h: 16 w: 12 d: 10 (cms).

This piece is part of a larger series of ‘muglets’, altered forms each uniquely expressing versions of impermanent introspective observations through the inherent permanence of the ceramic surface. The work begins on the potters’ wheel, using thrown porcelain and red clay to establish a sense of tension and play between the outer and inner experience. The surface is then layered with intuitive uses of slips layered with observations of the everyday and more introspective reflections expressed in a stream-of-consciousness style. This particular piece of work explores the idea of sleep and dreams in a playful and personal manner.

£180

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'Muglet of Dreams'

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Bath Mandala

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'Muglet of Reflections'

By serenity hubick BA(Hons)

Ceramics, mixed media

h: 17 w: 15 d: 12 (cms).

This piece is part of a larger series of ‘muglets’, altered forms each uniquely expressing versions of impermanent introspective observations through the inherent permanence of the ceramic surface. The work begins on the potters’ wheel, using thrown porcelain and red clay to establish a sense of tension and play between the outer and inner experience. The surface is then layered with intuitive uses of slips layered with observations of the everyday and more introspective reflections expressed in a stream-of-consciousness style. This particular piece of work explores the idea of reflection and introspection through the imagery of the routine and everyday.

£180

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'Muglet of Reflections'

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Whispers and Sighs

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Through the Windscreen

By bob iles

Charcoal on painted board

h: 88 w: 154 d: 2 (cms).

Home made Willow charcoal on plywood board, my first big drawing in charcoal. An emotional piece for me as this was made from reference photos taken in Bristol, on Gloucester road, just above the Bristol Flyer pub. Our eldest son had been sectioned again and was in a Bristol hospital. I went up to visit him, and we were allowed out for two hours together. We sat in my van drinking coffee, when a big rain cloud came over. We took pictures through the windscreen, having fun arguing about the best one and he said it would make a great charcoal drawing. This was the first time we were able to have a proper conversation like this for some years. This was the largest drawing I have done in a long time. It needed to be this big in order to abstract the image and show the detail that my son and I were really enjoying. I found the eye moving around the piece a challenge, pushing my skills. It was on the easel for some time.

£6820

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Through the Windscreen

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Beverley

By Olive Watkins BA (Hons) MA

Oil on canvas

h: 41 w: 31 d: 1 (cms).

I am a figurative oil painter and illustrator living in Dorset. My work focuses on capturing moments in time, memories, expressions, and people's faces. 'Beverley' is an oil portrait of a girl that exudes a sense of quiet resilience and dignity.

£350

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Beverley

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Waterflow one

By Ember Kelly

Linocut

h: 35 w: 50 d: 1 (cms).

Part of a series focusing on rural drains being reclaimed by vegetation, which ultimately will lead to more flooding.

£120

£90 (Unframed)

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Waterflow one

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Unremembered

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Archimedes

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The Unspoken Burden

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Bringing Rain 1

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The Circus: ‘How can I go forward when I don’t know which way I’m facing?'

By art praeger MA RCA

Protected Gouache

h: 21 w: 30 d: 2 (cms).

I am interested in words. I was inspired by the lyrics of the John Lennon song ‘How?’ on the ‘Imagine’ album: ‘How can I go forward when I don’t know which way I’m facing?’ I thought about how I could depict this, and drew the three different road views (Gay Street, Brock Street, Bennett Street), whilst standing on The Circus roundabout in Bath.

£475

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The Circus: ‘How can I go forward when I don’t know which way I’m facing?'

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Stall St, Bath

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Fistral at night

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Redcatch Road

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Broad Street, Bath

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circles of time

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Red Canyon

By Laura Howarth SWA SWA

oil and cold wax medium on board

h: 51 w: 51 d: 2 (cms).

Blazing, earthy colours, worn away by the brilliant New Mexico sun, surrounded by dark shadows

£895.00

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Red Canyon

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Bollywood Billboards in Indian city

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Morning Russet

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Hazy Sunday

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Jinn

By jane sheppard

ceramic (smoke fired) on ceramic base

h: 92 w: 47 d: 20 (cms).

hand coiled ceramic lidded vessel form

£3500

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Jinn

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Earth Trap

By jane sheppard

ceramic

h: 45 w: 45 d: 45 (cms).

hand coiled vessel with ceramic pigment

£2500

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Earth Trap

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Snakeshead Fritillaries

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Spring Garden

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Spotted Orchid

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In the middle of the street

By paul bisby BA(Hons) Fine Art

Pencil/ Ink pen 0.5 and colour crayon pencils on paper.

h: 59 w: 84 d: 1 (cms).

The artwork is of a not so well known street in Bath, Queenwood Avenue, Bath. With some of the neighbours in the middle of the street. Some of the animals and birds that visit the street have been included. The planes fly over head, especially Easy jet and the Balloons on a daily bases sometimes. “Middle of the street” artwork , I did several drawings, photos /of houses in the street and a painting in progress first. Then for the artwork I used measurements and judgements by doing the pencil drawing first. Then carefully I went over the pencil marks in ink pen 0.5. I decided to add colour crayon pencil to the characters, the street, the sky, easy jet and air balloons. The houses I left, as black ink line and white space. So to lead to the imagination of what if. To think mostly about the houses, the slope and the characters in the street. I named the artwork “in the middle of the street “ from the music group Madness. …. The lyrics : Our house “in the middle of the street “.

£800

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In the middle of the street

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I am always here for you.

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When we were young

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Tea Break

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The interloper is me.

By jenna fox

Sand and cement, girls dress and wooden frame.

h: 160 w: 45 d: 45 (cms).

My research connects to trauma and how we can use variations of ourselves to explore past events as a coping mechanism. This led me to using alter egos as a way to create artwork that could test, trial and play with concepts such as space, time, history and reenacting past, troubling events to come to terms with difficult experiences. My PhD research generated three alter egos who, through auto-narrative writing, came to life and started to make artwork that was different from work I would make in my typical art practice. They became a space to imagine and create. They fought, they bickered, and they created fantastical stories and artwork. This piece is part of the generative process. This girl's dress is frozen in time by dipping it in concrete. It transforms it into an antiquity and allows the viewer to interpret it with their own stories and ideas of the life that was led by the little girl who would have worn it. 80cm tall x 45cm W without the plinth. 160cm h with plinth.

£250.00

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The interloper is me.

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Joanna in the RWA Drawing School

By Catherine Beale SWA SWA

Watercolour

h: 41 w: 31 d: 1 (cms).

£950

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Joanna in the RWA Drawing School

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Sedge and wind blown hawthorn

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Neon Depths

By nathan hamblin BSc

Laser cut mountboard with neon paper

h: 52 w: 36 d: 3 (cms).

"Neon Depths" explores repetition, geometry, and dynamism through colour and form. A basic geometric shape is repeated in a grid with varying elongation. Each layer is offset inwards with vivid neon colours to create a sense of depth. The precise alignment and alternating patterns generate an optical effect, where the flat surface appears to shift as the viewer’s eye moves across it. By balancing symmetry with variation, the piece captures both order and movement.

£450

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Neon Depths

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Window 1

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Window 2

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The Harbinger

By martin elphick

Swedish Green Marble on Cherrywood

h: 28 w: 24 d: 22 (cms).

A harbinger is 'a person or thing that announces or signals the approach of another' - eg Harbinger of Spring

£5000

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The Harbinger

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Up, Down - 00:00:01

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Railey

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Dunkerton from Withyditch

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Ella

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I Must Go Down to the Sea Again

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Shifting Perspective I

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Liesl

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Rana Temporaria 1

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Fishes in the Restaurant Aging Cabinet

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Underpass

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Just before mushroom season

By Chris Booth

Ink and pencil on paper

h: 25 w: 25 d: 1 (cms).

Stippled ink drawing with coloured pencils.

£450

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Just before mushroom season

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The Marvellous Dream

By Chris Booth

Ink on paper

h: 64 w: 44 d: 1 (cms).

Stippled ink drawing.

£2400

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The Marvellous Dream

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Gut

By roisin hegarty

Oil paint

h: 99 w: 104 d: 1 (cms).

Gut represents the visceral, internal forms within us through absence; the lack of material in the centre evoking a bigger sense of the gut than a literal representation. My work looks at abstracting the figure to depict the organic feelings our bodies possess. The intentional crop and androgynous form allow for no objectification or identification of the sitter. Instead, it allows for an appreciation of the mundane yet profound undulations and contours that reside within our skin.

£950

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Gut

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On the Edge of the Woods

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A Teacake Family

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With Nature

By matt loughlin

Reclaimed York Sandstone Paver

h: 25 w: 18 d: 4 (cms).

A bird atop a skull carved in deep relief in sandstone.

£750

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With Nature

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Sand Dunes

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Waiting

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Girl in a blue silk scarf

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Falckenstein Staße

By ryan everson

Oil on panel

h: 15 w: 15 d: 3 (cms).

Taken from my Berlin series, an urban view of a German street.

£395

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Falckenstein Staße

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Bradford Street

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Brixham Fish Market

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ON THE CREST OF A WAVE

By peter goodhall

oil on linen canvas

h: 92 w: 138 d: 4 (cms).

This painting is gallery wrapped with the painted image meticulously extended around all four sides and consequently has a temporary frame, suitable for exhibiting just to protect the edges.

£6000

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ON THE CREST OF A WAVE

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Shower

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Pollen Warrior

By frank to PSSA, SGFA

Ignited Gunpowder & Explosive Powder on Handmade Paper

h: 28 w: 33 d: 1 (cms).

Study of a bee executed with ignited gunpowder and explosive black powder on French Handmade Paper

£900

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Pollen Warrior

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The Polish Kitchen

By anna konig

Cotton yarn on paper

h: 54 w: 54 d: 1 (cms).

Blanket stitch is worked in cotton yearn over a paper collage of found images. Spaces are created, and then filled, concealing the original imagery, but creating a new, unified entity.

£2400

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The Polish Kitchen

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Corner of Page Street (II)

By diana sandetskaya

Oil on gesso board

h: 50 w: 60 d: 2 (cms).

The painting is of one of my favourite corners in my neighbourhood. Walking there one evening, I loved the soft colours of the night, with the streetlight and light from the car illuminating the trees. The branches on the bare trees turned slightly spooky with a house hiding beneath them, with shadows cast on the road and an old mossy brick wall….it was calm and peaceful, but mysteriously enchanting at the same time.

£1150

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Corner of Page Street (II)

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Sunset in Mill Hill Park (XXIV)

By diana sandetskaya

Oil on gesso board

h: 15 w: 30 d: 2 (cms).

This is one of the series of paintings of Mill Hill Park sunsets. Inspired by the dramatic contrast presented by nature, have been observing sunsets there for a while, capturing the most striking ones in my paintings.

£500

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Sunset in Mill Hill Park (XXIV)

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Roses for Jenny

By mary lace SWA

Oil on linen

h: 60 w: 30 d: 2 (cms).

The painting is centred around a print from the Ashmolean in Oxford. The print is of Manet’s preliminary study for his later and larger painting, “The Balcony”. In both he uses the same two female models: Berthe Morisot and the less famous, Jenny Claus, a violinist. In the study it is Jenny who takes centre stage, but later it is Morisot who is seated and all important and ultimately more famous. Consequently, while attracted by the freedom of the study, I also wanted to pay tribute to prim overlooked Jenny. So, with flowers and a new composition, dominated by verticals, horizontals and criss-crossing diagonals, she plays again the main role.

£825

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Roses for Jenny

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Home At Last

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St James Pelican

By susannah weiland

Pencil drawing and hand embroidery

h: 22 w: 19 d: 1 (cms).

Susannah’s tonal pencil drawing has been digitally printed onto fabric, serving as the foundation for intricate hand embroidery. Using fine machine embroidery threads, she adds colour and textured stitching to enhance the original drawing. This layering of techniques creates a richly detailed surface that blends traditional drawing with contemporary textile art.

£2700

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St James Pelican

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Imogen with red hair

By Sara Netherway BA(Hons)

Oil on Canvas Board

h: 40 w: 30 d: 1 (cms).

A portrait of my daughter Imogen wearing her red hair tied up in a loose bun. She is looking up and to the left, capturing her teenage self as distracted and also indifferent to me painting her.

£350

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Imogen with red hair

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A white tree

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Conscious Fragility

By jade pinnell

Cast Glass

h: 35 w: 45 d: 35 (cms).

2 part piece. Created from folded paper forms dipped in wax then cast into glass. 'Our external experiences and awareness are delicate, easily disrupted by the world around us.' The folded, paper-like forms embody moments of stillness and consciousness, preserved in glass as a reminder of their fleeting yet profound significance. Two forms appear delicate as though they are made of paper, or very thin glass, in fact they are solid forms. A polished top creates an illusion of depth within the form, as though one could place their hand straight into the centre.

£2300

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Conscious Fragility

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The Rest Of The Build

By jane horton

Collage

h: 30 w: 30 d: 4 (cms).

Paper collage on cradled box canvas

£200.00

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The Rest Of The Build

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Robert

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Looking

By james evans

Oil

h: 50 w: 50 d: 4 (cms).

I make paintings that depict people within landscapes and cityscapes. I look at scenes and situations and consider what lies behind and beyond them. My paintings are about anticipation and uncertainty. I explore the dislocation between the outward appearance of everyday environments and the feelings of the people who inhabit them.

£300

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Looking

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Slipway

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Isobel

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The Avon Gorge At Night

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HEADLAND

By Lou Nicholson BA (Hons) Dip Arch

Glazed Stoneware Ceramic with found Cornish driftwood and copper wire

h: 21 w: 13 d: 8 (cms).

HEADLAND My sculptures are an interplay between my formal architectural training and my affection for land and seascapes, particularly those of West Cornwall. HEADLAND is slab built by hand (and therefore hollow with only two very small air holes on the underside) in a grogged stoneware clay. I intuitively formed all marks on the raw clay surface using the attached piece of found Cornish driftwood. The circular piercing is central to the piece and offers a way through the sculpture both physically and metaphorically. I want you to be drawn in, to see a way through the landscape, and the darkness within, and what might be on the other side. HEADLAND is hand painted with layers of several different glazes to capture the fluidity of my thinking at that moment in time and to reflect differing light conditions in the sea and on land. HEADLAND is stamped LNC with my handmade stamp. (Lou Nicholson Ceramics)

£515

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HEADLAND

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Serendipity

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Fragmented World

By peter webb

Ceramic

h: 42 w: 42 d: 8 (cms).

Wall plaque framed behind glass for wall mounting

£750.00

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Fragmented World

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Rockform IV

By peter webb

Ceramic

h: 25 w: 25 d: 13 (cms).

Stoneware clay with 24ct gold leaf interior

£500.00

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Rockform IV

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Sentient

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62400 heartbeats

By evie mercia

Paper

h: 63 w: 43 d: 1 (cms).

A papercut which took 13 hours (or 62,400 heartbeats) to complete.

£475

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62400 heartbeats

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30 litres filtered

By evie mercia

Paper

h: 63 w: 43 d: 1 (cms).

Papercut which took 6 hours to complete. During this time my kidneys filtered approx. 30 litres of my blood.

£450

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30 litres filtered

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The Gift

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The Marmalade Cat

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Break in the Clouds

By lucy james

Acrylic

h: 82 w: 102 d: 2 (cms).

Inspired by a break in the clouds during a hail storm on New Year's Day, the blue car reflected in the puddles and matching the patch of blue sky

£600

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Break in the Clouds

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Hello Sailor

By sarah targett

Screenprint

h: 35 w: 35 d: 1 (cms).

12 colour Limited Edition screenprint on Fabriano paper. A contemporary still life print, with bright pops of colour, based around a Staffordshire figurine of a sailor being admired by parrots. The background is printed in a dark grey with a sea pattern depicting the shelf and some splashes of metallic gold ink.

£200

£140 (Unframed)

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Hello Sailor

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Jean's private joke

By nigel parkes

Bronze on polished bronze base

h: 18 w: 11 d: 10 (cms).

Jean Woods, Bath fashionista.

£800

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Jean's private joke

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Green Shallows

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Quench The Thirst

By sara butt

Acrylic

h: 25 w: 38 d: 1 (cms).

'Quench the Thirst', A portrait of an African Elephant drinking where water is essential, numbers have dropped dramatically. with loss of habitat , these majestic animals now face another grave challenge, drought! caused by climate change.

£2200

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Quench The Thirst

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Neon Pathways

By nathan hamblin BSc

Laser cut mountboard with neon paper

h: 54 w: 38 d: 1 (cms).

"Neon Pathways" is an exploration of movement and vibrancy. Set against a black background, the composition features layers of pathways that curve and loop with seamless fluidity. The pathways are arranged in bold parallel bands of neon colours, creating a glowing, electric effect that represents both retro aesthetics and contemporary techniques. The repetition of rounded arcs and geometric turns gives the piece motion. The contrast between the saturated neon hues and the dark void of the background heightens the sense of depth and dynamism, drawing the viewer’s eye along each winding course. "Neon Pathways" invites viewers to lose themselves in its labyrinth of color and form, suggesting both structured order and infinite possibility.

£425

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Neon Pathways

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Incoming Tide Watchet

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Martyr I

By maggie king

Carved and ebonised Elm, antique nails, jute rope, lace, gold leaf, steel base

h: 150 w: 40 d: 40 (cms).

Martyr I pays homage to those innocent human beings suffering in a world marked by displacement, trauma and coercive control. The bent form, blackened wood, nails, and bindings speak of pain, exhaustion and restraint, while the gold leafed triangle veiled in lace represents the inner self - fragile, sacred and preserved even under duress. The title Martyr I conveys both the endurance of suffering and the dignity of survival: a witness to pain yet also to resilience and the unbroken core within.

£10000

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Martyr I

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RISE

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Please Hold

By judy stephens

Textile

h: 75 w: 50 d: 2 (cms).

This is a rumination on one of the irksome elements of life today. Hi tech v stitched and collaged quilt. Communication …..or not.

£695

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Please Hold

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